Spider-Man: Homecoming (2017) is a superhero film adapted from Marvel Comics, directed by Jon Watts and starring Tom Holland and Michael Keaton. The film is part of the MCU and was released by Marvel Studios / Sony. Runtime: 2h 13m. Rated PG-13. Audience rating: 7.4/10.
What is Spider-Man: Homecoming (2017) about?
Peter Parker, energized by his experience with the Avengers, balances high school life while battling the Vulture — a dangerous arms dealer using stolen alien technology — as Spider-Man.
Released in 2017, Spider-Man: Homecoming was directed by Jon Watts and produced under the Marvel Studios / Sony banner. The film occupies a significant place within the MCU — contributing to the ongoing narrative and mythology of that cinematic universe.
The film features lead performances from Tom Holland, Michael Keaton, Robert Downey Jr., among others, anchoring a story that adapts characters first brought to life in Marvel Comics. Its source material gives the film a foundation rooted in decades of published storytelling, which Watts and the creative team interpret through a cinematic lens.
Its 7.4 rating reflects a film that divided audiences — appreciated for its ambition and spectacle by some, criticized for pacing and execution by others. Its place in the genre remains a frequent discussion point.
What happens in Spider-Man: Homecoming (2017)? — Full Plot
2012. Lower Manhattan. The dust hasn't settled from the Battle of New York. A blue-collar salvage crew led by Adrian Toomes — barrel-chested, bald, in a yellow construction hardhat — is hauling scrap metal and Chitauri alien tech off the streets of Queens under a city contract. They've been at it for two weeks. Toomes has eight men on payroll, three trucks, two daughters at home, and a mortgage. Then a black SUV pulls into his loading dock. A man in a suit gets out with a clipboard and an ID badge that reads DEPARTMENT OF DAMAGE CONTROL — a brand-new federal agency, jointly funded by Tony Stark and the U.S. government, that has been retroactively granted exclusive authority over all alien-technology cleanup in the city. Toomes's contract is voided on the spot. He's evicted from the site. He stands in the rubble holding a half-disassembled Chitauri energy core in his hand. He looks at it. He looks at his crew. "The rich and the powerful, they do whatever they want." He keeps the part. He keeps a truck. He goes underground.
Cut to 2016. Peter Parker — fifteen, skinny, glasses-free, in a slightly oversized blue zip-up hoodie — sits in the back of a black Audi being driven to the airport in Berlin. He's just spent thirty-six hours in Germany getting his ass handed to him by Captain America and saving Tony Stark from Bucky Barnes during the events of Civil War (2016). He's recording the whole experience on his iPhone in vlog style — running commentary on Happy Hogan, on the hotel room, on Mr. Stark's plane. Tony, in the airport corridor, hands him back his backpack. "Listen up, kid. If anything wacky happens — call me. Or, you know, call Happy." Peter goes home to a small two-bedroom walkup in Forest Hills, Queens. He stashes the new Stark-built Spider-Man suit in his closet next to the homemade red-and-blue costume his Aunt May still doesn't know exists. He waits for Tony to call.
Tony doesn't call. It's been two months. Peter is back at Midtown School of Science and Technology trying to make midterm grades and waiting for the bat-signal. His friend Ned Leeds — wide grin, wide curiosity, computer kid — knows nothing about the Spider-Man secret yet. The girl he has a crush on, Liz Allan, is the senior academic decathlon team's captain. Flash Thompson is the rich-kid bully on the same team. Peter, frustrated by being benched from the Avengers, starts patrolling Queens after school in the Stark suit and badly underperforming at the academic decathlon. He tries to stop muggings. He helps an old lady carry groceries. He fends off bike thieves. He's a friendly neighborhood Spider-Man and he hates it.
Then he hears something. An ATM in Queens is being robbed by four men in alien-tech-tipped masks (Avengers Brock Rumlow style, but Toomes-cell built). They're armed with anti-gravity gauntlets that fire purple Chitauri energy pulses. Peter intervenes. The Chitauri-energy weapon turns out to be far more destructive than the muggers themselves know — one of them accidentally vaporizes the deli storefront across the street with a wild shot. Peter saves the deli owner Mr. Delmar (his favorite bodega, where he gets a sub every day) and gets away with one of the recovered weapons. He brings it home. Ned, sleeping over, finds it in Peter's backpack. "What is THAT?" Peter has to come out — "Ned, I'm Spider-Man." Ned: "You're not Spider-Man." Peter does a backflip in the bedroom. Ned: "YOU'RE SPIDER-MAN."
Peter and Ned spend a Saturday in his bedroom debugging the Stark suit's secret features. The suit has 576 different web combinations, a tracker drone the size of a thumb, multiple language translation, a heating element, instant kill mode (Peter disables), and a built-in AI Stark named Karen with a soothing female voice. Peter starts using it for serious patrol work. He tracks an arms-deal exchange between Toomes's crew and a buyer at a Queens automatic-car-wash. He follows them in the Stark suit. He nearly catches them — but Toomes himself, in a winged exo-suit made of Chitauri tech, swoops in and tears Peter apart in midair, dropping him into a Westchester County lake to drown. Tony Stark's remote-controlled Iron Man suit comes flying out of the sky and fishes Peter out at the last second. Then Tony's face appears live in the helmet. "What if somebody had died tonight? Would that be on your conscience?" Tony pulls Peter off active patrol and confiscates the high-tech suit. Peter goes back to the homemade red-and-blue costume.
Peter quits the academic decathlon to focus on Spidey work, then quits Spidey work after Tony shuts him down, then has nothing to do. So when Liz hosts a house party two weeks before the Homecoming dance, Peter and Ned go. He spots Toomes's crew making a tech sale near the Washington Memorial parking lot. He, Ned, and the decathlon team are en route to D.C. for the national finals. He sneaks out of the team hotel, climbs the Washington Monument fire escape in his homemade suit, and is in the middle of the Monument's elevator shaft when the Chitauri-tech weapon Ned is curiously holding back at the hotel detonates and traps every kid in the elevator at the top of the Monument. Peter scales the outside of the Monument at sunrise in his homemade suit and pries the elevator hatch open from the top. He saves the entire decathlon team. He never tells them it was him.
Back in Queens. Peter, still in his homemade suit, intercepts Toomes's next deal at the Staten Island Ferry. He web-shoots the dealers' anti-gravity weapon and the dealers' return fire ruptures the ferry's mid-section, splitting the ship in half across the harbor. Half the ferry starts sinking with three hundred passengers aboard. Peter desperately tries to web-net the two halves back together. He almost manages it — until Iron Man flies down out of the sky and seals the breach with a hot-weld nano-tech repair. Tony is furious. "I told you what would happen if you got involved. I asked you to be better than me — and you suit up anyway. If you're nothing without the suit, you shouldn't have it." Tony pulls the Stark suit off Peter completely. Peter walks home in his t-shirt and jeans.
Homecoming day. Peter is in a JCPenney rental tuxedo, picking Liz up at her house in Queens. He rings the doorbell. The door opens. Adrian Toomes — Liz's father, Peter's nemesis, Vulture himself — is standing in the foyer. Peter's blood goes cold. They smile at each other through dinner. Toomes drives Peter and Liz to the dance — Liz in the backseat, Peter in the passenger seat, Toomes at the wheel. Halfway to the school, Toomes puts the pieces together. "Brooklyn-bound spider-friend." "It's not what it looks like." "I'd kill you if I weren't worried I'd ruin Liz's whole night." He warns Peter to stay away from his daughter, stay out of his business, and let him pull off one last big score that night — a hijack of a Stark Industries 747 carrying the entire Avengers headquarters' weapon inventory from upstate New York to the new Avengers Compound. "You couldn't possibly understand what I do. People like Stark — they don't care about us. We have to look out for our own." He drops Peter and Liz at the dance.
Peter ditches the dance. He calls Happy Hogan from a payphone trying to alert Tony to the impending heist. Happy is on a transport plane personally moving the Avengers inventory and ignores Peter's calls because he thinks the kid is asking for permission to go to homecoming. Peter, in the homemade suit, swings to a Maryland industrial park where he intercepts the 747 in mid-flight as the Vulture tries to crack open the cargo bay. Peter and Vulture fight at thirty thousand feet on the wing of a stolen 747 — Vulture in the wing-suit and Peter in pure homemade leggings and a hoodie. The plane goes down on Coney Island. Vulture's wing suit catches fire during the crash. Peter, exhausted, beaten, bloody, watches Vulture crawl out of the burning suit and lift the recovered Chitauri tech in one hand to fly off again — but the Stark inventory boxes Vulture has stolen are now scattered across Coney Island's wet sand. Peter, with the last of his web fluid, lassos the Vulture's last stash and saves him from his own malfunctioning wing-tech catastrophe.
Vulture's wing-suit detonates in his hand. Peter drags him unconscious out of the explosion zone and sets him on the wet sand. He webs Toomes to the boardwalk for the cops. He pins a sign in the sand: "FOR YOU, IRON MAN. - YOUR FRIENDLY NEIGHBORHOOD SPIDER-MAN." He walks back to Forest Hills exhausted. He limps through his bedroom window at 3 AM still in the half-shredded homemade suit. Aunt May opens his bedroom door at exactly the wrong second. Peter is standing in his underwear holding a torn red-and-blue mask. "WHAT THE F—" Cut to credits before May can finish the sentence.
Aftermath. Tony Stark, days later, takes Peter to the new Avengers Compound upstate and offers him a permanent slot on the Avengers roster. There's a press conference set up. There's a custom Iron-Spider suit with three extra spider-arm appendages waiting in a glass case. Pepper Potts is in the foyer in a wedding dress for the live announcement. Tony has finally accepted the kid. Peter, in his JCPenney rental tuxedo and a borrowed Tony Stark jacket, looks at the glass case. He looks at Tony. He politely declines. "I just wanna be a friendly neighborhood Spider-Man. Stay close to the ground." Tony, surprised but proud, lets him go home. He winks at Pepper. "You were right. Said he'd turn it down. Now we have to take pictures." Peter goes home to Queens.
Aunt May, back in Queens, watches Peter come home from the Compound. He's still in the tux. He sits on his bed. He pulls the homemade Spider-Man mask out of his JCPenney jacket. May knocks on his door. "Now I know you've been lying to me about everything. Tell me what's going on." Peter takes a breath. Marisa Tomei's face cracks into pure incredulity. Cut to the post-credits scene: Mac Gargan, in a city jail cell, beaten and pissed, sidles up to Adrian Toomes in the visitation yard. "I heard you know who Spider-Man is." Toomes, smiling, putting his daughter Liz Allan's photo back in his jumpsuit pocket — Liz has been sent to live with relatives in Oregon after her father's arrest, and Peter watches her get on the bus at school the day before — Toomes looks Gargan dead in the eye. "If I knew who he was, he'd already be dead." The villain protects his daughter's almost-prom-date. Cut to credits.
Who stars in Spider-Man: Homecoming (2017)?
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What are some facts about Spider-Man: Homecoming (2017)?
Spider-Man: Homecoming released in 2017, placing it within the 2010s era of comic book cinema — a decade that saw superhero films become the dominant force at the global box office.
Directed by Jon Watts, the film was produced by Marvel Studios / Sony and adapts source material from Marvel Comics.
The principal cast features Tom Holland and Michael Keaton, with key supporting roles played by Robert Downey Jr., Jon Favreau, Zendaya.
The film belongs to MCU — the Marvel Cinematic Universe — the highest-grossing film franchise of all time.
Spider-Man: Homecoming carries an audience rating of 7.4 — putting it in the solid-to-excellent tier of the genre.
The Marvel Comics source material for Spider-Man: Homecoming has been in continuous publication for decades, giving filmmakers a rich well of storylines, character arcs, and iconography to draw upon.
Modern superhero films like this one use a mix of practical effects and digital VFX, with entire sequences often shot against volume walls or LED stages pioneered by shows like The Mandalorian.
Spider-Man: Homecoming is catalogued on Movies on Comics among our collection of 163 comic book films spanning 48 years of cinema — from Richard Donner's 1978 Superman to the present day.
Easter Eggs & Hidden Details in Spider-Man: Homecoming (2017)
Marvel and Sony's first co-production. The deep cuts include Michael Keaton's iconic doorway confrontation, the Aunt May age update, and the franchise's most-celebrated post-credits prank.
The doorway scene where Adrian Toomes (Michael Keaton) recognizes Peter as Spider-Man — and Peter realizes Toomes is his prom date Liz's father — was filmed in a single take. Keaton and Holland reportedly improvised the silent tension between them. Critics have widely called Keaton's Toomes the best MCU villain post-Killmonger.
Tomei (52 at filming) became the youngest Aunt May in any Spider-Man film by approximately 25 years. The casting was a deliberate Marvel modernization — Aunt May became Peter's mid-life aunt rather than his elderly grandmother.
Spider-Man: Homecoming was the first official Marvel/Sony co-production after Sony's contract negotiations gave Marvel creative control over the character for theatrical films. The franchise's MCU integration formally began with Holland's Civil War (2016) debut.
Throughout the film, Peter's school plays Captain America public-service announcements about decision-making. The PSAs were filmed by Chris Evans specifically for this film, including new dialogue not from any previous MCU appearance. The gag is referenced again in subsequent Spider-Man films.
Donald Glover plays Aaron Davis, a small-time criminal Peter encounters. Aaron is canonically the uncle of Miles Morales — the alternate-universe Spider-Man from the comics. The casting was a deliberate Marvel Easter egg; Glover had publicly campaigned for the Peter Parker role in 2010, before the Andrew Garfield run.
The film's post-credits scene shows Captain America (Chris Evans) delivering a school PSA about patience — pranking the audience who waited for a major reveal. The 'prank' became one of the franchise's most-discussed end-credits moments.
Tony's offer of the Iron Spider suit at the film's climax establishes the suit Peter wears in Infinity War (2018). The transition between Homecoming and Infinity War is one of the franchise's most-immediate sequel setups.
Adrian Toomes's salvage company recovered Chitauri tech from the Battle of New York. The technology directly references Iron Man (2008) and the broader Avengers ensemble — making Vulture a working-class consequence of the Avengers' destruction.
Zendaya's character was credited as 'Michelle' throughout pre-release marketing. The reveal that she was canonically Mary Jane (or MJ) was kept secret until release. The casting was widely controversial at the time — Zendaya's race was the most-discussed aspect of the casting.
Jon Watts directed Spider-Man: Homecoming, Far From Home (2019), and No Way Home (2021) — making him the most-prolific MCU Spider-Man director. He has been replaced for Brand New Day (2026) by Destin Daniel Cretton.
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